Shambhala Music Festival 2010 : Home |
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August 6 - 9, 2010
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SHAMBHALA’S
LUCKY 13
Salmo,
B.C. – The Shambhala Music Festival, now in its thirteenth year, is a diverse cultural
event that is difficult to describe to those who haven’t been there, but Joe
Riener of Vancouver came as close as anyone to hitting the mark.
“My
favourite part of Shambhala is the sense of unity,” said Riener, who has
attended the festival for eleven of its thirteen years. “There are people from
all walks of life sharing the experience. I strongly believe the people make
the festival.”
Over
10,000 music and art lovers gathered at Shambhala near Salmo, B.C. from
Thursday, August 5th to Sunday the 8th. The festival
grounds – a 500 acre cattle ranch deep in the lush Selkirk Mountains – were
packed as the festival sold out for the first time.
Over 200
musicians and performance artists from around the world played at the
festival’s six individually themed stages. Some highlights included A Skillz
and The Plump DJ’s in the Fractal Forest and Dieselboy at the Village.
Vancouver’s
Long Walk Short Dock played what many called the most thrilling performance
they had seen. Sporting long hair and a moustache, he thrashed his way through
two hours of amplified electro madness.
“I’ve
never seen anything like that before,” said Nathan Jackson of Calgary. “I can’t
believe the show he put on.”
Other
performers included Excision and Datsik, Jess and Crabe, Rico Tubbs, D Cup and
Hoola Hoop, who played what he referred to as a “cowboy” set at the Beach Stage
that featured rockabilly, honky tonk and old country tunes.
DJ’s enjoy camping at Shambhala and they have more time to connect with other DJ’s than at most festivals.
“I do a
load of clubs,” said DJ Czech. “I love this festival. I come out here, all my
bros are here, people from Ottawa, Toronto, Calgary, wherever. We hang out.
This area and this festival are both magical.”
While
music is the predominant theme of the festival, it is by no means the only one.
The festival also showcases a broad range of art and performance artists. The
Art Pavilion was full of beautiful paintings and postcards and numerous vendors
sold their colourful wares. Each morning hundreds gathered on the beach by the
Salmo River for yoga. Hoola hooping classes were also popular.
At one
point during the festival, a prankster poured a green substance into the river.
The substance spread quickly and afterward it was discovered as fluorescein, a
harmless, non-toxic dye used in environmental testing to locate water leaks.
An
elderly woman who gives pins to all people she hugs at the festival that say,
“I was hugged by Grandma,” embodies the spirit of Shambhala and what its organizers
are trying to create.
“We’ve
tried to create an atmosphere that is rich in art and skimpy on advertisements and
other messages,” said Production Manager Corrine Zawaduk. The festival has always been ad free and
operates without sponsorship. “We strive to embrace art, community and music - the
universal language.”
Shambhala,
as Riener said, is an inclusive event that encompasses people from all walks of
life. The music played at Shambhala (mainly electronic) seems to cross
generational barriers and brings young and old together like no other type of
music. For four days, the festival achieves a higher purpose in that it brings
different people together to dance, celebrate and, when the festival ends, to spread
that feeling to the rest of the world.
“It’s a
whole world that comes together to dance,” said Keith Page of Nelson.
-written
by Elliot Robins-